We’ve updated our Terms of Use to reflect our new entity name and address. You can review the changes here.
We’ve updated our Terms of Use. You can review the changes here.

The Northcote Sessions

by Mandy Connell Music

/
  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      $10 AUD  or more

     

  • Compact Disc (CD) + Digital Album

    Comes in a simple cardboard wallet, artwork by Leanne Connell, design by Craig Kelly

    Includes unlimited streaming of The Northcote Sessions via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 7 days
    edition of 300 
    Purchasable with gift card

      $13 AUD or more 

     

  • Full Digital Discography

    Get all 5 Mandy Connell Music releases available on Bandcamp and save 35%.

    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Merri Creek Tavern Sessions, The Confluence, The Northcote Sessions, The Wishing Well, and Tall Tales & Pretty Colours. , and , .

    Purchasable with gift card

      $26 AUD or more (35% OFF)

     

1.
Airport Traffic (Lyrics)- ©Mandy Connell Intro: Instrumental A Part From the Bustle of the Airport Traffic I can read it in the paper now They’ve taken all the half-caste children From the towns where they’re not allowed Like the rating on an adult movie Nobody’ allowed to walk alone at night There’s fighting on the streets, the towns, the byways: The night’s not safe: It wouldn’t be right Instrumental Break- B Part Occupation has its own language Replacing all the words we know Some of these kids still don’t speak English The Government says it’s a symptom: So Intervention/ Good Intention, No matter which words we use How much of the spirit gets lost in the action Rolling out the tanks in the Dreamtime home Longer Inst: Break / B part- Soloist Impro / Brass Section From the Bustle of the Airport Traffic I can read it in the paper now They’ve taken all the half-caste children From the towns where they’re not allowed Like the rating on an adult movie Nobody’ allowed to walk alone at night There’s fighting on the sstreets, The towns, the byways: The night’s not safe It wouldn’t be right
2.
BlueTack Constellation- Mandy Connell (Capo 5) C F Am F I am painting, slow and ever-thicker coats of paint Am F F Upon the Windowsill that once was yours is now my room F G C F The walls and doors are shiny white now C C F Shiny white….. now Am F Am Oh brilliant white that picks up all the pretty colours F F G C C C of my pretty dresses, hanging up C F F F Oh, hanging up….. C F F CHO I painted over, the greasy black stain Am F Left by your hand, left by your head Am F Above the mattress where you slept F G C C I left the blue-tack on. C F F F Bluetack Constellation F C C C Bluetack Constellation C F F F Bluetack Constellation Am F I knew that you would leave me here Am F F But I told myself I didn’t F G C And I should not have held on so tight Am F Like someone’s little sister Am F Like someone’s second cousin Am F Like someone’s little sister, F F Had to join the party far too early F F G C Had to leave before it really Got Interesting…. C, F CHO END
3.
Colourblind 04:14
Colourblind (Lyrics)- ©Mandy Connell Intro /Break Verse 1: On the postcard that you wrote to me You talked about the Ocean You said that it was pretty You talked about the Blues and Greens Cho: I don’t see it like you do, I don’t see it like you do I like it when you write to me, Colourlind Lullabyes I don’t see it like you do, I don’t see it like you do I like it when you write to me, Colourlind Lullabyes Intro /Break Verse 2: We’ve been talking on the telephone, I could talk to you for hours I’m always cooking dinner You’re always editing your photos Cho: Intro /Break Verse 3: Since you moved across the ocean You took away my daily routine A picture in Still Motion I am still where I have always been (CHO CHANGE): I know you’re happy there in Hobart, I’m still missing you from Melbourne I wish you’d think of this as home I’m still missing you from Melbourne I wish you’d think of this as home CHO: Intro / Break / Coda Copyright © Mandy Connell
4.
The Hourglass (Lyrics)- ©Mandy Connell Intro: Instrumental Riff x 2 Verse 1: I have Four Thousand twenty two beads Strung up on broken necklaces Balancing on windowsills Rolling Round in drawers and old containers Stored within the folds of pages, folded up & tucked away Memories for rainy days and easy stages Cho: Hourglass sifting, Dandelion Lifting, Keeping Time Hourglass sifting, Dandelion Lifting, Keeping Time Instrumental Break- Verse ? Verse 2 : Can a number be a signal for a hidden intersection? A twisting of a greater fate, a symbol for connection Can a number mean stop or go? Cho: Hourglass sifting, Dandelion Lifting, Keeping Time Hourglass sifting, Dandelion Lifting, Keeping Time Longer Inst: Break / B part- Soloist Impro / Cool Elecric Guitar Section with three part OOohs? Verse 3: Honey mark the number down but don’t let it dictate terms A number’s just a number it won’t tell us how the story turns The radius is special, but diameter is too I won’t let a number tell me I don’t get along with you. Cho: Hourglass sifting, Dandelion Lifting, Keeping Time Hourglass sifting, Dandelion Lifting, Keeping Time Outro: Instrumental Riff x 2 Copyright © Mandy Connell
5.
The Garden 03:21

about

5 Songs recorded in a house in Northcote.
Fiddle by Fred Holden (UK)
Bass by Craig Kelly (VIC)
all songs written by Mandy Connell

credits

released October 11, 2017

Recorded, mixed an mastered by Myles Mumford (Rolling Stock Records)
Filmed by Agostino Soldati
Fiddle by Fred Holden (UK)
Bass by Craig Kelly (VIC)
All songs written by Mandy Connell
Thanks to Enda Kenny and Julie Boffa for the use of their lovely lounge room.

license

all rights reserved

tags

about

Mandy Connell Music Melbourne, Australia

contact / help

Contact Mandy Connell Music

Streaming and
Download help

Report this album or account

If you like Mandy Connell Music, you may also like: